Boy with a Basket of Fruit, 1593 by Caravaggio.
In tackling Caravaggio’s Basket of Fruit, my goal was to create a copy that was as close as possible to the original, in size, technique and materials. So before I started I did a bit of research. What follows is what I found, both from the analysis made directly on the painting and from personal experimentation.
Caravaggio painted pretty straightforward images that raised questions about the concealed symbolic meaning. This apparent symbolism can be seen in many of his paintings. For example, The Bacchus, Goliath, Sick Bacchus, and Boy with a Basket of Fruit, to name a few. In many of Caravaggios works he offers his audience a head.
Caravaggio says no with Basket of Fruit, and he says it with rot, and welts, and imperfection. Again, the light source is is powerful and diffuse, and it revealed withering leaves searching for sunlight.
Caravaggio, Basket of Fruit, circa 1595 Caravaggio, Still Life with Fruit on a Stone Ledge, circa 1601-1605. Many onlookers have interpreted Caravaggio’s Still Life with Fruit on a Stone Ledge as having both religious and sexual connotations. The stone ledge that is pictured is evocative of Caravaggio’s previous work The Entombment of Christ.
Basket of Fruit by Caravaggio in oil on canvas, done in c. 1596. Now in Uffizi.
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